Monday, November 29, 2010
Saturday, November 27, 2010
Notan Sketches Save One
i'm using medium gray pastel paper i bound into a sketchbook, a very dark Duotone pencil from Derwent and a stick of white oil pastel. these are my fave drawing tools. just having them in my hand makes me want to sketch. i tell all my workshop students that if you want to get better at painting, they need to sketch whenever theyre not holding a paint brush.
what i did to cocktail time original was simplify the light pattern. by going dark over the windows and then down the left side and connecting it to the shadow part under the bar, i made the dark pattern bigger and more solid. makes the window look even whiter which silohouettes the focal point, the bartender, nicely. also took out the distracting little white lights over the figure in the original. also took out one window divider and moved it so it doesnt sticking out of the middle of his head anymore.
Tuesday, November 23, 2010
Finding Something to Paint-SOLD
Monday, November 22, 2010
Ready to Fly-6x8
Saturday, November 20, 2010
Moon Over Ada Mae-5x7
On the paint thinner front, i found some mineral oil and tried it instead of the smelly baby oil today. i thought it was a little too thick so i switched to cheap vegatable oil and found the more liquidy consistency much better for getting all the paint out of the brush quickly. will probably stick with this for now. love the fact that i'm not rubbing toxic thinner into my skin or inhaling it day and night in my vehicle and studio any more.
Thursday, November 18, 2010
Going Less Lethal
anybody know where i can buy unscented baby oil? i dont like the perfumey smell of regular baby oil. may try vegetable or walnut oil if i cant find unscented baby oil.
Wednesday, November 17, 2010
Bar and Restaurant Interiors
A popular watering hole in Orleans and with all the colorful signs hanging down from the ceiling, its a blast to paint
Tuesday, November 16, 2010
A New Interior
Monday, November 15, 2010
Back from AOC
Friday, November 12, 2010
Step by Step Demo- Comfy Chair2
I'm considering holding a three day plein air workshop in Port Clyde, Maine with a day trip to Monhegan Island next August. if its something you might be interested in drop me an email. if there's enough interest it'll be a go! The class itself will cost aproximately $300-$350 for the three days. Maine is one of the most scenic spots on the east coast that time of year.
Tuesday, November 9, 2010
In Between- 5x7
Monday, November 8, 2010
Back to Normal
Saturday, November 6, 2010
A Fall Saturday Afternoon-SOLD
Friday, November 5, 2010
Fort Adams- Rhode Island-SOLD
This is one from my recent trip to Rhode Island for a workshop. i found a place a little south of Newport called Fort Adams. It had a great view of Naragansett Bay all the way around.
Monday, November 1, 2010
In Progress- PTown Painting
Here's one i started on bradford st. in provincetown today. was using a panel that had texture (like a weave) and really didnt like it. i love my gessoed masonite panels and seem to be able to push the early layers around alot easier than on this "thirsty" panel. this thing reminded me of my old sign painting days when i would try to save a buck and buy a really rough piece of plywood. then i'd try to letter really small, ornate lettering on it. like trying to letter on a piece of toast.
that leads me into todays lesson-Use the same materials everytime.
Painting outside is hard enough when its cold (like today), when its hot, when the bugs are biting, when the tourists are bothering you, and on and on, so why make life any harder? Changing panels, paint, brushes, thinner, painting setups etc etc. just throws huge variables into the painting experience that could potentially go horribly wrong.
Why have the paint slide around like a BP oil slick on your canvas panel because you thought it would be neat to try out this new product. Why have your brushes feel like youre painting with a whisk broom becuase they were on sale for half the price of the ones you love? you see the reasoning.
Sure, try out new products to see if you like em but dont make the mistake i did once. i bought some cheap brushes and threw out the worn out ones i like before going on a long painting trip on Bald Head Island. the brushes i took sucked bad! they only held up two painting sessions before flaying to the point of absurdity and being totally worthless. used the two up i had in four days and had to keep using them for the other seven i was on the island. i muttered under my breath the whole week. not worth the few bucks i saved for sure.
so dont try out new products when youre out there trying to paint. its hard enough already