Stage one- lay in cool colors for anything thats not getting light from the window. approximate the values
Tuesday, August 31, 2010
Underpainting Demo
Monday, August 30, 2010
Pouring the Bubbly-6x8-$400 framed
i think this is the last 6x8 i'll be painting thats headed to cape cod , and ive got one more 8x10 interior to do. ive enjoyed the studio time but i'm missing painting outside a little. the temps arent quite as high as theyve been the last couple of weeks so it makes me want to get outside again.
on this one i underpainted it in a more traditional style by underpainting with the viridian of the walls and its complement alizarin crimson, and white. i toned the panel in a burnt orange and drew the shapes with an orange oil pastel. then after underpainting i used the very detailed underpainting plan and added the right colors to each shape, staying very true to each value i had in the underpainting.
Well...on a totally unrelated note.... the waves came in today. hooray. and tasty ones at that.
Sunday, August 29, 2010
Where are the Waves?
not to worry about the lack of waves. hurricane Earl is a few days behind Danielle and due to swing much closer to my fave surf spot. Just not too close i hope!
Saturday, August 28, 2010
Gettin' in the Groove
Friday, August 27, 2010
Hot Stuff-6x8-$400 framed
on this one i played with a more abstract background than some of the prior pieces.
thats what makes this painting business worth messing with. the ability to take every piece, everyday, and experiment with different things. thats why its impossible for an external force to steer or guide an artist. it has to come from an internal desire on our part to paint the thing and have fun experimenting with this and that, even if its a series. this way we can see what we like and what we dont like about the paint handling, background, color palette, loose, tight, etc, etc. its a learning process for each subject until we are comfortable with our "look" and feel that we are doing what makes us happy. doing that keeps it from being a job for us. and as everybody knows we painter types dont like "jobs" :D
all you painters let me know your thoughts in the comments section!
Thursday, August 26, 2010
Pastry Chefs-6x8
Funny how every painting you do is different in some small way from the one you did yesterday and from the one you'll do tomorrow even when its the same subject. tho' theyre usually very similar, they arent exactly the same. each one you paint is an individual entity and very one-of-a- kind. thats what makes original art so neat and hence intrinsically valuable.
Wednesday, August 25, 2010
Interior of a Kitchen
Tuesday, August 24, 2010
Early Light in a Corner-8x10
Monday, August 23, 2010
Bedroom Triad-10x8
Friday, August 20, 2010
A Saturated Underpainting
Thursday, August 19, 2010
Wednesday, August 18, 2010
Updraft 8x10
Done from the paddleboard excursion. that paddleboard gets you into places you just couldnt get to on foot. i removed the high-rise bridge in the distance and made this painting more universal, but it was painted near north topsail.
that thought will make a good post about the two sides of an argument about whether something thats recognizable has more appeal than something thats generic.
here are what i think the two opposing ideas are and how i deal with it.
first there's the school of thought that says the minute you make something a definate place that you've taken away the universalism of it. that would equate to a smaller, more highly defined group of people who would want the piece. flip side is it creates more interest in that select group BECAUSE it is that place.
second school of thought is that by keeping things generic that it could be discerned (mistakenly) to be anywhere the viewer might imagine that it is. this will open up the flood gates of people who might want it. flip side of that is most galleries have a niche buyer who wants something from that particular area where the gallery is located. and if its not from the local area, (done by a local artist even) they arent really interested.
so we painters struggle with titleing things because the minute we put "Surf City Marsh" we are making a choice of which buyer we are after. if we call it Morning on the Marsh and leave out recognizable landmarks we are also coming down on one side of the debate instead of the other.
my take is that i want all my paintings to sell. other than making great bonfire tinder in the fall unsold paintings dont taste good so i cant eat them and the electric company sends them back to me still demanding their money when i try to pay them with my unsold artwork. so what i do is a little of both. recognizable stuff and titles that commit it to a specific place and undescript titles and places. if i'm asked is this such and such place i under-commit blaming my supposed graduation into senior adulthood (see below) or my whiskey soaked youth for the lapse in memory.
this morning i was informed that i'm a "senior"speaking of that... dont you hate when youre not old enough to be eligible for senior citizen discounts but you see ads with pictures of late forty somethings looking for love on the internet, and it says "seniors dating site"?
didnt that twenty something ad agency person know thats not the way to advertise something to my age group? in my mind seniors are ALWAYS older than me!
that would be like me writing one that shows pretty twenty something pictures and saying "childish youngin's website" How many of them do you think would want to go to that site LOL
youre only as old as you.....are
Tuesday, August 17, 2010
More Interiors for the Show in Cape Cod in Oct.
i'll be showing an exhibition of my new interior paintings in a solo show at the Rowley Gallery in October.
Monday, August 16, 2010
A Few from Last Week
Friday, August 13, 2010
Revision on Tranquility on Calico Creek
*changed the grass where it doesnt look like two rows of green and made it more random like nature. this was done plein air and i remember struggling with grass back then. after a few years i've got a better grip on how to meake the grass look real
and * took out the pole in the water. if you dont need an object to tell the story then absolutely leave it out. i used to put everything i saw in my paintings. shoot i had enough stuff in one painting for three!
i love to see how other painters "fix" their duds so i hope you get something out of this lesson. now hopefully i wont get it back from the next gallery i send it to and will be on somebody's wall!
Wednesday, August 11, 2010
A Few New Ones from New Bern
available at Carolina Creations in New Bern
available at Carolina Creations in New Bern
$300 framed
Tuesday, August 10, 2010
Pack Light for Paddleboard Painting
I suggest you take your bag of stuff (i'll give you the contents below) and go out in the yard behind your house and paint something. anything. you'll soon find what you really need, then go in the house, throw that thing in the bag and continue painting, then leave all that stuff in the bag and never take it out. no more leaving crucial stuff in the car or at home when you've hiked two miles across the dunes in 95 degree heat!
So here it is....
Pictured above is what i carry when i want to carry the least amount of gear, First grab a medium sized travel bag or better yet a backpack. throw in a cheap metal tripod easel, and some of those big clamps you can get at Home Depot (they come in so handy), then grab a size 2,4, and 8 flat synthetic brushes and a liner (also called a rigger), a small palette knife, plastic tub to put thinner in to wash your brushes out with, some little clips from the office supply store to clip it your box, and a gatorade plastic jar for thinner (hasnt leaked on me so far!). A travel size shampoo bottle of Liquin (my medium of choice), magenta stick of oil pastel to draw with, and yellow ochre, and orange tubes of acrylic paint (if you like acrylic underpainting), paper towels and bug spray. you'll need some panels to paint on (i suggest 6x8 and 8x10 and if you dont want to carry wet paintings back to the house, you'll want a "wet box" which keeps the paintings from touching and smearing. a pochade box (a cigar box will work too) with paint in it. in my case... magenta, yellow ochre, cad yellow med, cad red light, alizarin crimson, turquoise, ultramarine blue, orange, sap green, and cobalt violet around the edges of the box. i made this ultralight painting box out of one of those aluminum forms holders you get at Staples Office Supply. works great. i clamp it to the easel with the big orange clamp you see there. a painting umbrella is very useful too so i make room for it as its the same length as the tripod and weighs hardly anything.
Sounds like a lot but it all fits very easily into a small to medium travel bag. if i'm paddleboarding i stick all this in a platic trash bag to keep it dry.
below, i've got my paddleboard ready for a plein air painting trip up and down the marshes at topsail island.
it all straps very easily to the front of the board.
Monday, August 9, 2010
Saturated Underpainting a la Cape School Style
this is what the underpainted colors look like. theyre pretty much straight out of the tube and give you the basic color harmonies, temperatures, and values. try to get this part pretty close knowing that youre going to tone down the intensities as you color correct
i'm loving my new method of drawing on the shapes with a magenta oil pastel. the paint goes right on it and gives the painting a nice "rosy" glow. i may try an rusty orange one for when the light is much warmer. thats the fun of painting.,,. trying out all kinds of different stuff to see what it will do! dont be afraid to experiment and find your own favorite ways.
Thursday, August 5, 2010
Study #0804-SOLD
SOLD
Well you didnt think i could go long without painting almost everyday did you? Seems that spending all day looking for "just the right one" to paint because it has to be GREAT doesnt suit me. But i am glad that i slowed the pace down and started doing better quality work.
Tuesday, August 3, 2010
I'm Baaaackkk!
Lets look at what causes it, and i'll give you some tips to get you going again.
First lets look at some things that cause "da funk". One is sheer burnout. Lets say you've been working on a series of paintings or an event (like a show) that either took a long time to complete, or took alot out of you (creatively and/or physically). For this symptom the remedy is to take a few days off. Sounds crazy but nothing but rest will get you jazzed again. You just dont have any steam left. Those few days off will give your Muse time to recover and when it does, it will begin to let you know by stirring those desires to paint again. Trust me, this happens to me all the time, and i think it happens to every artist (including me) just after delivering a show. There's such a feeling of let down and it can put the kabosh on your creative energy.
The second thing that can zap your Muse is a personal crisis or anything else that you're thinking about as much as you used to think about finding a painting. You just have to realize that sometimes life just gets in the way. Lets say you just got a bad diagnosis from the doctor, or youre spending night and day taking care of an elderly parent. The mind doesnt have time or desire to be creative. That makes sense right? But why are we so frustrated when it happens? We have to let these things run their course and when they do, you'll find yourself wanting to sling that paint again.
Now for a few ideas on getting that creativity jumpstarted. I've heard of still life painters going out to buy new still life props at the thrift stores, and i can see that working. Theyre getting interested in some new things to paint. As a plein air landscape painter, when i get bored i like to travel to a different city or region of the country to paint and this gets me going again. i usually do this at least four or five times a year to keep things interesting.
So the next time youre not feeling it, do one of two things. Rest and really dont worry about it (the urge to paint will return) or get up and find something that really makes your motor run, and then go paint it.
And then like Jack Nicholson, you'll be saying, " I'm Baaaaccckkk!"